Thomas Cornell (1937-2012), Decartes, signed and numbered 83/100, dated '64, etching, 22 x 14cm (PL) together with another portrait etching by Thomas Cornell and a quantity of prints by a variety of hands to include: a lithograph after Steinlen, an Eric Gill woodcut entitled 'Stay Me with Apple', two Clifford Webb prints titled 'Eardisland', a wood engraving of magnolias signed Monica Poole, a lithograph titled 'Spring Morning' signed Stow Wengenroth, a woodcut titled 'The Thrush's Song' signed Margaret Wells, an Anglesey Farmyard by William T Rawlinson, two rural landscapes by Gwen Raverat, Garden of Satanic Delights by Barry Moser, Holly by Monica Poole, Apple Picking by Gwenda Morgan, a woodblock print of an old mill signed Valenti Angelo, two woodcuts of agricultural labourers by Claire Leighton, a woodcut of a farmyard dated 1935, a 'Harvest Mouse' and 'On the Hills' by Joan Hassell, a woodcut of a cottage signed Miriam McGregor, The Ship of Death, Martin Secker, a modern fine tempera painting titled 'Fruit of the Promised Land', a country garden woodcut by John Farleigh and a woodcut of a harvest scene by Agnes Miller Parker